Discover the common pitfalls of buying high-end violin bows, including condition and authenticity concerns.
Purchasing a high-end violin bow can be a daunting endeavour, especially for those new to the world of fine string instruments. Bows often cost as much, if not more, than the violins they complement. Condition and authenticity concerns are of the utmost importance, yet they can be easily overlooked by inexperienced buyers, potentially leading to significant financial loss and disappointment. This article explores these perils, offering insights to help buyers navigate the complexities of acquiring a high-end violin bow.
When considering the purchase of a high-end violin bow, understanding the nuances of its condition is critical. The physical state of a bow can greatly impact both its functionality and value. Below, we delve deeper into specific condition concerns that an inexperienced buyer might overlook.
CITES Concerns When Buying High-End Violin Bows
When purchasing high-end violin bows, buyers must be aware of the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES) regulations. Many fine bows are crafted from Pernambuco wood and other materials like ivory or tortoiseshell, which are protected under CITES. These regulations restrict the international trade of such materials to prevent over-exploitation and ensure their conservation. Inexperienced buyers should ensure that the bow comes with the appropriate CITES documentation to confirm that the materials have been legally sourced and can be legally transported across borders. Failure to comply with CITES regulations can lead to confiscation of the bow and significant legal repercussions, diminishing the bow’s value and usability.
In conclusion, while the allure of owning a high-end violin bow is undeniable, the path to acquiring one is fraught with potential pitfalls. Inexperienced buyers must be vigilant about condition and authenticity concerns, seeking expert guidance and purchasing from reputable sources to safeguard their investment and musical satisfaction.
Very fine silver-mounted violin bow by Eugène Sartory à Paris. This is a particularly beautiful example of the maker's work, made for the 1908 Franco-British Exposition in London. It has been maintained in remarkably good condition and it is original in all its parts. It is stamped "E SARTORY A PARIS" and "EXPO 1908". Comes with a 2023 JF Raffin certificate.
Emilio studied in one of the world’s bow making capitals, Paris. However, he always made it his mission to return to Cremona and bring that level of bow making back home. Along with his son, his bows have some very strong characteristics. They are well balanced and have a crisp and clear sound. This helps bring out the best out of string instruments. Their playability allows the player far more freedom to dig into the string, explore contact points and achieve depth of sound all while maintaining the control required from an exceptional bow.
This strong gold mounted cello bow by Emilio Slaviero is ideal for a player looking for more projection out of their instrument. It is a very player friendly bow, being extremely well balanced throughout.
Emilio studied in one of the world’s bow making capitals, Paris. However, he always made it his mission to return to Cremona and bring that level of bow making back home. Along with his son, his bows have some very strong characteristics. They are well balanced and have a crisp and clear sound. This helps bring out the best out of string instruments. Their playability allows the player far more freedom to dig into the string, explore contact points and achieve depth of sound all while maintaining the control required from an exceptional bow.
Walter's bows are praised and performed by many high-profile players around the world. His bows possess a refined sound quality usually associated with the french masters. This classical bow is very powerful and would be perfect for a player transitioning from a modern bow.
One of the best known bow makers in Italy, Walter Barbiero enjoys a vast reputation as one of the leading archetiers of his generation. He makes bows for all string instruments and all periods. His bows are played by top musicians such as Viktoria Mullova, Isabelle Faust, Mario Brunello & more.
He has a particular passion for baroque and classical bows. As such, he has made bows for Giuliano Carmignola, who used one to record Vivaldi concertos for Deutsche Grammophon. Another recording featuring one of his bows is Viktoria Mullova’s Bach Sonatas and Partitas for Onux.
His bows differ from the others for their soft and elegant sound but above all for their good technical characteristics. He always prioritises the player as he feels that musicians can best express their thoughts, emotions and music through his bows.
MyLuthier was started by two friends while they were studying at the Royal Academy of Music in London. The idea was to provide musicians with exceptional instruments at a price they can afford. We travelled Europe in search for the best contemporary makers and we’re proud of our selection and the partnerships we’ve developed.
Rare antique instruments, representing both historical significance and unparalleled craftsmanship.
View Instruments